Wes Anderson’s The Phoenician Scheme gets a trailer. Watch it here https://bit.ly/4j7jMpS
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My ★★★★ review of The Grand Budapest Hotel (2014) on letterboxd: https://boxd.it/9dA3Ax
boxd.itA ★★★★ review of The Grand Budapest Hotel (2014)"Anderson is a director who digests his influences, and in The Grand Budapest Hotel we get a collision of genres peppered with plenty of cinematic borrowing. It’s a story of Fitzgerald-age glam, and Nazi film menace. It’s a comedic caper reminiscence of Sellers’ 1960s comedies, as well as French filmmakers like Jacques Tati and a dash of Jean Renoir. But all of it, of course, is distinctly Wes Anderson: the symmetry of the shots; the facsimile of the sets; the baroque floridity of the language, punctuated by sharp, laconic punch lines. It’s a funny movie that is driven also by
My ★★★★ review of The Life Aquatic with Steve Zissou (2004) on #Letterboxd https://boxd.it/9dAfEL
(spoiler: this review is not about The Life Aquatic)
boxd.itA ★★★★ review of The Life Aquatic with Steve Zissou (2004)I'd like to use this space to shine a light on some commercials Anderson made. Since Letterboxd is about documentaries and movies, it's not listed here. So move over Steve Zissou (yes, it's worth a watch but not an Anderson masterpiece), let's talk how Anderson was influenced by Jacques Tati... “He has a silhouette that you can make into a cartoon; just his walk is a great creation.” — Wes Anderson on Monsieur Hulot For those that can notice it, Anderson has plenty of references towards Tati in his movies. - First, there's the staging and color schemes. (the colors
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@arturartur Eestist saaks siis esimene koertevaba riik maailma ajaloos? Mulle meeldis Wes Andersoni nukufilm samal teemal, kuigi seal oli tegevuspaigaks Megasaki -- kujuteldav linn Jaapanis. https://kultuur.err.ee/822274/rain-tolk-koerte-saar-naitab-lastele-et-ei-ole-olemas-mustvalgeid-lahendusi #koertesaar #wesanderson
ERRRain Tolk: "Koerte saar" näitab lastele, et ei ole olemas mustvalgeid lahendusiFilmirežissööri Wes Andersoni puhul ei tea kunagi, mida temalt oodata. Sel korral on ta võtnud teemaks koerad, ja mitte lihtsalt koerad, vaid rääkivad koerad Jaapani prügisaarel. Näitleja ja režissöör Rain Tolk rääkis, et "Koerte saar" on lastele peaaegu et kohustuslik, kes õpetab neid mõistma, et maailm ei jagune ainult headeks ja halbadeks inimesteks, vaid varjundeid on rohkem.